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One iconic feature of Latvian women's folk dress is the traditional Latvian belt, a wide sash with a woven geometric pattern. Different regions of Latvia have their own distinct patterns and colors. [3] The best known is the Lielvārde sash, or josta, a wide, red, and white woven sash with a complicated pattern. [4]
Latvian women swinging in folk costumes during a celebration. The folk dress had and still has a significant symbolic role in the Latvian society, maintaining the national cultural heritage, it has created a united sense of identity amongst Latvians. [23]
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
Occasionally used in the 20th and 21st century, the use of Līgo as a word to describe the whole celebration is still debated. Linguists have stated that either Līgo is simply a misused refrain sung in many traditional Jāņi songs or that it comes from the name Līgā or Līgo - a purported minor Livonian pagan deity representing merriment and amity.
The Namejs ring is a common symbol in Latvian culture. In 1928, Aleksandrs Grīns wrote a novel titled “Nameja gredzens” (“Ring of Namejs”), which popularized the ring and its symbolism. [4] In 2018, Aigars Grauba produced a film called The Pagan King (Latvian: Nameja gredzens), which depicts an alternate version of the ring's legend. [5]
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Folk masks from rural Latvian mask processions, 1920s-1930s. A drawing by J.A. Jansons. Latvian folklore repository of the Institute of Literature, Folklore and Art of the University of Latvia Ķekatas, 2019 Budēļi, 2023. There is a number of regional variants of Latvian masked processions. Rooted in ritual traditions, by the end of the 19th ...
Latvian mythology is the collection of myths that have emerged throughout the history of Latvia, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives.