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Marah Roesli was born in Padang, West Sumatra on 7 August 1889, and died in Bandung, West Java on 17 January 1968. He was one of the most well-known Indonesian authors from the Balai Pustaka period. He is famous for his novel Sitti Nurbaya , which tells the story of a teenage girl who was forced to marry a man much older than herself to ...
According to Bakri Siregar, the diction in Sitti Nurbaya does not reflect Marah Rusli's personal style, but a "Balai Pustaka style" of formal Malay, as required by the state-owned publisher. As a result, Rusli's orally-influenced story telling technique, often wandering from the plot to describe something "at the whim of the author", [ a ...
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Kaempferia galanga, commonly known as kencur, aromatic ginger, sand ginger, cutcherry, is a monocotyledonous plant in the ginger family, and one of four plants called galangal. It is found primarily in open areas in Indonesia , southern China , Taiwan , Cambodia , and India , but is also widely cultivated throughout Southeast Asia .
Di Bawah Lindungan Ka'bah is the second film adaptation of Hamka's novel Di Bawah Lindungan Ka'bah, following an adaptation in 1977 by Asrul Sani. [2] Unlike the original novel, which included numerous flashbacks, the plot is chronological. [1] The film cost Rp 25 billion (approximately US$2.9 million) to make. [1]
The Writers' Movement '50 (Angkatan Sasterawan 1950), better known as Asas '50, is the first and oldest literary association in post-war in Singapore. It was founded on 6 August 1950, with a stated philosophy of "Art for Society" (Seni untuk Masyarakat).
Di Bawah Lindungan Ka'bah (Under the Protection of Ka'bah) is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds.
The Indonesian literary critic Zuber Usman contrasts Kalau Tak Untung with the earlier novel Sitti Nurbaya (1923) by Marah Rusli.He notes that both begin in a similar fashion and have the same general pattern, but, unlike Sitti Nurbaya with its background in Minang nobility, Pengaruh Keadaan portrays simple villagers without noble blood. [4]