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The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The Lone Ranger is a TV show that ... The commercial was a spoof of a then-current commercial for Lark cigarettes which also used the William Tell overture theme ...
Gioachino Rossini's "William Tell Overture" includes a finale that is known as the "March of the Swiss Soldiers" and that starts at the 7:30 mark of this United States Marine Corps Band recording. It is inseparably associated with The Lone Ranger as its theme, making this a highly
The Lone Ranger (Original Motion Picture Score) is the film score for the Walt Disney Pictures film, The Lone Ranger by Hans Zimmer, released on CD and digital download on July 2, 2013, by Walt Disney Records. [1] The physical release was in association with Intrada Records. [2]
Gioachino Rossini used Schiller's play as the basis for his 1829 opera William Tell. [17] The William Tell Overture is one of his best-known and most frequently imitated pieces of music; in the 20th century, the finale of the overture became the theme for the radio, television, and motion picture incarnations of The Lone Ranger, a fictional ...
William Tell Overture; Ranz des Vaches; The Lone Ranger; Transcription (music) Nominate and support. TonyTheTiger (T/C/BIO/WP:CHICAGO/WP:FOUR) 01:14, 11 May 2011 (UTC) Regretful oppose This is an excellent transfer of a vintage recording that highlights the 1920s taste in orchestral performance and the sound of early electrical recording. This ...
Because this portion of Rossini's overture was the theme of The Lone Ranger in the United States, a different portion of the overture, with lyrics added, became the theme song there, titled: The Freedom Song – "Marching Behind William Tell" by Geoffrey Parsons.
During the 1920s, George W. Trendle was a Detroit lawyer who had established a reputation as a tough negotiator specializing in movie contracts and leases. Trendle became involved in the Detroit-area entertainment business in 1928 when local motion picture theater owner John H. Kunsky offered Trendle 25 percent ownership in exchange for his services.