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The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome. Work on the painting commenced in 1796, after his estranged wife visited him in jail.
The rape of the Sabine women (Latin: Sabinae raptae, Classical pronunciation: [saˈbiːnae̯ ˈraptae̯]; lit. ' the kidnapped Sabine women '), also known as the abduction of the Sabine women or the kidnapping of the Sabine women, was an incident in the legendary history of Rome in which the men of Rome committed bride kidnappings or mass abduction for the purpose of marriage, of women from ...
The legendary rape of the Sabine women is the subject of two oil paintings by Nicolas Poussin. [a] The first version was painted in Rome about 1634 or 1635 and is now in the Metropolitan Museum of Art in New York City, catalogued as The Abduction of the Sabine Women. [1]
Abduction of a Sabine Woman (or The Rape of the Sabine) is a large and complex marble statue by the Flemish sculptor and architect Giambologna (Johannes of Boulogne). It was completed between 1579 and 1583 [ 1 ] for Cosimo I de' Medici . [ 2 ]
The dresden picture was destroyed during the bombing of February 1945 The picture in Genoa The picture in Chicago. The Rape of the Sabine Women may refer to at least eight paintings attributed to Luca Giordano or his workshop, all of which depict the legendary rape of the Sabine women.
The Rape of the Sabine Women is a painting by Peter Paul Rubens. It is now in the Belfius Collection . It was commissioned by Philip IV of Spain in 1639 but was still incomplete on Rubens' death a year later. It was completed by the Brussels painter Gaspar de Crayer. Another version of this painting is now held by the National Gallery, London. [1]
The Rape of the Sabine Women became a common motif in art; the women ending the war is a less frequent but still reappearing motif. According to Livy, after the conflict, the Sabine and Roman states merged, and the Sabine king Titus Tatius jointly ruled Rome with Romulus until Tatius' death five years later.
The Rape of the Sabine Women: 1634: 154,5 x 210 cm: Formerly in the collection of Marie-Madeleine de Vignerot d'Aiguillon. New York, Metropolitan Museum of Art: 103/180 The Crossing of the Red Sea: 1634: 155,6 x 215,3 cm: Pendant to The Adoration of the Golden Calf. dal Pozzo collection. Property of the Earls of Radnor from the 18th century to 1945