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Following from that, Beauchamp et al. conclude that the left STS is crucial for the audiovisual integration and thus for the perception of the McGurk effect. Moreover, another study [10] suggests that the basis of the interindividual differences in the perception of McGurk effect lies in the eye movements of the subject when viewing the talker ...
Perception (from Latin perceptio 'gathering, receiving') is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. [2] All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation ...
Direct realism, also known as naïve realism, argues we perceive the world directly. In the philosophy of perception and philosophy of mind, direct or naïve realism, as opposed to indirect or representational realism, are differing models that describe the nature of conscious experiences; [1] [2] out of the metaphysical question of whether the world we see around us is the real world itself ...
Appearance and Reality (1893; second edition 1897) [1] is a book by the English philosopher Francis Herbert Bradley, in which the author, influenced by Georg Wilhelm Friedrich Hegel, argues that things like qualities and relations, space and time, matter and motion, selves and bodies, and activity and change, are all contradictory and unreal appearances.
Many philosophers claim that it is incompatible to accept naïve realism in the philosophy of perception and scientific realism in the philosophy of science.Scientific realism states that the universe contains just those properties that feature in a scientific description of it, which would mean that secondary qualities like color are not real per se, and that all that exists are certain ...
A popular theory in current research is "weak-Whorfianism,' which is the theory that although there is a strong universal component to perception, cultural differences still have an impact. For example, a 1998 study found that while there was evidence of universal perception of color between speakers of Setswana and English, there were also ...
Broadly defined as "the representation of reality", [2] realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in large part a matter of technique ...
The effect of reality (French: effet de réel) is a textual device identified by Roland Barthes, the purpose of which was to establish literary texts as realistic. History [ edit ]