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Horizon scanning is "the systematic examination of potential threats, opportunities and likely future developments which are at the margins of current thinking and planning’ and, continuing, horizon scanning ‘may explore novel and unexpected issues, as well as persistent problems or trends."
Scanography (also spelled scannography), more commonly referred to as scanner photography, is the process of capturing digitized images of objects for the purpose of creating printable art using a flatbed "photo" scanner with a CCD (charge-coupled device) array capturing device. Fine art scanography differs from traditional document scanning by ...
In archaeology, the general meaning of horizon is a distinctive type of sediment, artefact, style, or other cultural trait that is found across a large geographical area from a limited time period. [ 1 ] [ 2 ] [ 3 ] The term derives from similar ones in geology , horizon or marker horizon , but where these have natural causes, archaeological ...
Visual art could now depict a single, unified scene rather than a combination of several. Early examples include Masolino's St. Peter Healing a Cripple and the Raising of Tabitha (c. 1423), Donatello's The Feast of Herod (c. 1427), as well as Ghiberti's Jacob and Esau and other panels from the east doors of the Florence Baptistery. [26]
Horizon scanning may refer to: Literally horizon scanning performed by technical devices like infrared horizon-scanning; Horizon scanning, a method from futures studies; Horizon scanning, a former alternative name for environmental scanning
Both practices can damage rare books; For example, opening a book 180 degrees can be damaging to its spine. These scanners are also implemented to scan other fragile documents such as old maps. However, planetary scanners that allow the book to open to a full 180 degrees have special features that protect the book binding from being damaged.
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The Four Philosophers (c. 1615.Oil on panel; 167 x 143 cm, Pitti Palace, Florence).In his friendship portrait of himself, his brother Philip Rubens, Justus Lipsius and Jan van den Wouwer (left to right), the painter Rubens's self-portrait on the left is an example of a figural repoussoir that is further accentuated by the flowing red curtain.