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"Nokor Reach" originated from a folk poetry usually performed with chapei in ancient era for storytelling and to disclose any recent events. [2] [3]The music of "Nokor Reach" was composed between 1938 and 1939 by Prince Norodom Suramarit during the reign of King Sisowath Monivong with help of J. Jekyll and François Perruchot, [1] [4] the Royal Palace's musical instructors.
Yab Moung Records and Show Box actively encouraged the production of original music and was the artistic home of many original alternative musicians. Show Box only hosted original performances from both Khmer and international musicians and acted as a community hub for innovative ideas. [16] [17]
Cambodian Rocks is a compilation of 22 uncredited, untitled Cambodian psychedelic and garage rock songs from the late 1960s and early 1970s. When the tracks were recorded, musicians in the thriving music scene were combining Western rock and pop genres with their own styles and techniques.
Ros Serey Sothea. In Phnom Penh, she adopted the alias Ros Serey Sothea and became a singer for the National Radio service, first performing duets with Im Song Soeum.Her first hit, "Stung Khieu (Blue River)" appeared in 1967 and she quickly became popular across Cambodia, particularly for her high and clear voice. [3]
The music of "Oh, Phnom Penh!" was composed by Catholic Khmer composer Mum Bunnaray, who was working at the national radio station in Phnom Penh. The latter asked his sister Mum Sokha to sing in the single. The song was recorded on January 3, 1979, in Kratie province and first broadcast on January 7, 1979. [3]
In recent years the song has been re-issued by a large number of modern performers. The original recording however is difficult to find nowadays as for many recordings of Sinn Sisamouth, whose records were often destroyed by the Khmer Rouges, critical of his Western influences and support for the Khmer Republic. [3]
For the Khmer musicians who managed to escape the ruthless persecution of the Khmers Rouges who forbade any foreign influence and almost every form of music apart from propaganda, the refugee camps in Thailand were a safe haven where listening to "Champa Battambang" or the Khmer version of The House of the Rising Sun and others pieces of Cambodian rock music was a certain consolation in their ...
Meng Keo Pichenda is a Cambodian singer and has been contracted to many companies for her services. She is the youngest of three sisters, two of them are vocal musicians.. She is well known for her unique and balanced sound-pitched voice and was particularly successful in the late 1990s, credited for a change in direction in Cambodian music. [1]