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The instrument reached a peak in popularity by 1850, and by the end of the 19th century cajón players were experimenting with the design of the instrument by bending some of the planks in the cajón's body to alter the instrument's patterns of sound vibration. [2] After slavery the cajón was spread to a much larger audience including Criollos.
Many different accordions were developed in Europe throughout the 19th century, and exported worldwide. Although accordions are documented in South Louisiana as early as the mid-century, early models would not have caught on with Cajun musicians due to their tuning in A or F and hence the incompatibility with the fiddle. [2]
A drum where a stick or chord is drawn through a hole in the membrane to make a sound. Frog güiro: Galgo: Korea Unpitched 211.242.1 Membranophone Gandingan: Philippines Unpitched 111.241.2 Idiophone Ganzá: Brazil Unpitched 112.13 Gbedu: Yoruba Unpitched Membranophone Gendèr: Indonesia Pitched 111.222 Idiophone Geophone: France Unpitched ...
Modern Cajun music began taking on the influence of jazz and modern country music, resulting in a more polished sound. The acoustic guitar was added, mostly as a rhythm instrument, and the triangle provided a traditional percussion. Modern groups sometimes include drums, electric bass, electric guitars and amplified accordion and fiddles.
These sounds are achieved by varying the striking technique and position. Other sounds are possible (masters achieve as many as twenty-five distinctly different sounds), [27] but these additional sounds are used rarely, mainly for special effects during a solo performance (djembe kan, literally, "the sound of the djembe"). A skilled player can ...
In practice, two or all of these mechanisms are frequently in effect in producing the sensation of an instrument being unpitched, but any one can be sufficient. Many unpitched percussion instruments do, or can, produce a sound with a recognisable fundamental frequency, and so can also be used as pitched percussion.