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The Bongos are a power pop band from Hoboken, New Jersey, that emerged from the New York City arts scene, primarily active in the 1980s, led by Richard Barone. With their unique musical style, they were major progenitors of the Hoboken indie-pop community, college radio favorites, and made the leap to national recognition with the advent of MTV .
Richard Barone is an American rock musician who first gained attention as frontman for the Bongos.He works as a songwriter, arranger, author, director, and record producer, releases albums as a solo artist, tours, and has created concert events at Carnegie Hall, Hollywood Bowl, SXSW, and New York's Central Park.
The Coleman Theatre is a historic performance venue and movie house located on historic U.S. Route 66 in Miami, Oklahoma. [2] Built in 1929 for George Coleman, a local mining magnate, it has a distinctive Spanish Colonial Revival exterior, and an elaborate Louis XV interior.
From the outlandish outfits, to the epic performances, to the insane art installations, you can relive all the magic of Ultra 2016 through this gallery.
By late 1970s and early ‘80s, Miami Beach, after its first heyday from the 1930s through the ‘60s, was a place in transition. Let’s see what it looked like from the Miami Herald Archives.
Miami Sound Machine was an American Latin pop band of Latin-influenced music that featured the vocals of Cuban-born recording artist Gloria Estefan (née Fajardo). ). Established in 1975 by Emilio Estefan, the band was originally known as the Miami Latin Boys before becoming the Miami Sound Mach
Here are photos from the Miami Herald archives: Miami International Boat Show in 1985. ... This Hatteras 58-foot yacht arrived in Miami for the opening of the Miami International Boat Show in 1974 ...
Irving Fields (born Yitzhak Schwartz; August 4, 1915 – August 20, 2016) was an American pianist and lounge music artist who was born in New York City. [1] Some of his most noteworthy compositions include "Miami Beach Rhumba"; "Managua, Nicaragua"; and "Chantez, Chantez," covered by Dinah Shore in 1957.