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A Vermont or witch window. In American vernacular architecture, a witch window (also known as a Vermont window, among other names) is a window (usually a double-hung sash window, occasionally a single-sided casement window) placed in the gable-end wall of a house [1] and rotated approximately 1/8 of a turn (45 degrees) from the vertical, leaving it diagonal, with its long edge parallel to the ...
For some holidays, the majority of the festive decor lives inside the house, but on October 31, the scheme is all about outdoor Halloween decorations. After all, something needs to entice the ...
A witch ball on display at Whitby Museum in Yorkshire. A witch ball is a hollow sphere of glass. Witch balls were hung in cottage windows in 17th- and 18th-century England to ward off evil spirits, witches, evil spells, ill fortune and bad spirits. [1] The witch ball were used to ward off evil spirits in the English counties of East Sussex and ...
Apotropaic marks, also called 'witch marks' or 'anti-witch marks' in Europe, are symbols or patterns scratched on the walls, beams and thresholds of buildings to protect them from witchcraft or evil spirits. They have many forms; in Britain they are often flower-like patterns of overlapping circles. [25] such as hexafoils.
Drawing from a large repertoire of designs, barn painters combined many elements in their decorations. The geometric patterns of quilts can be seen in the patterns of many hex signs. Hearts and tulips seen on barns are commonly found on elaborately lettered and decorated birth, baptism, and marriage certificates known as fraktur .
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Life-size tomb effigies in stone or alabaster became popular for the wealthy, and grand multi-level tombs evolved, with the Scaliger Tombs of Verona so large they had to be moved outside the church. By the 15th century there was an industry exporting Nottingham alabaster altar reliefs in groups of panels over much of Europe for economical ...
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