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Le Male is a men's fragrance created by Francis Kurkdjian for Jean Paul Gaultier in 1995. "Le Male" is very close in scent profile (Some would say it's a clone/homage) to Cuba Gold (Paris) which was introduced in 1979, It has been manufactured by Puig since 2016, and was previously manufactured by Shiseido subsidiary Beauté Prestige International from 1995 until 2015.
Francis Kurkdjian (born 14 May 1969) is a French perfumer and businessman of Armenian descent. He is best known for creating the men's fragrance Le Male for Jean Paul Gaultier in 1995, which has become one of the world's best-selling men’s fragrance.
Émile Mâle (French: [emil mɑl]; 2 June 1862 – 6 October 1954) was a French art historian, one of the first to study medieval, mostly sacral French art and the influence of Eastern European iconography thereon.
閩南語 / Bân-lâm-gú; Català; Cebuano; Deutsch; Español; Esperanto; Euskara; فارسی; Français; Italiano; Kurdî; Ladin; Latina; Magyar; Malagasy; Bahasa ...
Le Mâle: Jean Paul Gaultier: Francis Kurkdjian: 1996 Angel Men/A*Men: Thierry Mugler: Jacques Huclier 1996 Perle de Silences: Jacomo Paris: Christian Mathieu 1996 Dolce Vita: Dior: Pierre Bourdon, Maurice Roger 1996 Allure: Chanel: Jacques Polge: 1996 Tommy Girl: Tommy Hilfiger: Calice Becker [10] 1996 Organza: Parfums Givenchy: Sophie Labbé ...
The men's fragrance Le Male was developed as a counterpart to Classique, and was introduced in 1995. A number of flanker fragrances have since been released on the strength of the Classique name. The most recent fragrance, La Belle Le Parfum, was launched in 2021. [citation needed]
The symbol of the Roman god Mars (god of war) is often used to represent the male sex. It also stands for the planet Mars and is the alchemical symbol for iron.. Male (symbol: ♂) is the sex of an organism that produces the gamete (sex cell) known as sperm, which fuses with the larger female gamete, [1] [2] [3] or ovum, in the process of fertilisation.
The Great Male Renunciation (French: Grande Renonciation masculine) is the historical phenomenon at the end of the 18th century in which wealthy Western men stopped using bright colours, elaborate shapes and variety in their dress, which were left to women's clothing. Instead, men concentrated on minute differences of cut, and the quality of ...