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Walter Dorwin Teague (December 18, 1883 – December 5, 1960) was an American industrial designer, architect, illustrator, graphic designer, writer, and entrepreneur.Often referred to as the "Dean of Industrial Design", [1] Teague pioneered in the establishment of industrial design as a profession in the US, along with Norman Bel Geddes, Raymond Loewy, Henry Dreyfuss [2] and Joseph Sinel.
Knox starting teaching at Douglas School of Art in 1884, while still a student. The Arts and Crafts architect Baillie Scott started classes at the Art School while Knox was teaching there, and Knox worked with him on some interiors. [17] [18] In 1893, The Builder published Knox's article, "Ancient Crosses in the Isle of Man". [19]
Victor Josef Papanek (German pronunciation: [ˈvɪktoʁ ˈjoːsɛf ˈpapanɛk]; 22 November 1923 – 10 January 1998) was an Austrian-born American designer and educator, who became a strong advocate of the socially and ecologically responsible design of products, tools, and community infrastructures. [3]
The Eameses' most famous foray into office furniture was a suite of lightweight designs created for Eero Saarinen and Alexander Girard to use in a home for J. Irwin Miller in 1958.
One of Dorothy Draper's most famous designs was The Greenbrier Hotel in White Sulphur Springs, West Virginia. During World War II it was used as a military hospital. After the war the Chesapeake and Ohio Railway repurchased the property and Dorothy Draper was retained to redecorate the entire resort. [10]
All Harleys since, including models in production now, are based on Stevens's body designs. His designs in home and kitchen appliances were popular, and he is recognized as the originator of the robin's-egg-blue phase of 1950s kitchen appliances, [5] as well as the iconic Skylark laminate design popularized by Formica. He also practiced ...
Eva Striker Zeisel [2] (born Éva Amália Striker, [3] November 13, 1906 – December 30, 2011) was a Hungarian-born American industrial designer known for her work with ceramics, primarily from the period after she immigrated to the United States.
These design propositions also formed the basis for his seminal publication, The Grammar of Ornament, the global and historical design sourcebook for which Jones is perhaps best known today. [ 3 ] Jones believed in the search for a modern style unique to the nineteenth century, radically different from the prevailing aesthetics of Neo ...