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The base cloth includes water proof material for umbrellas, velvet for tents, cotton, and threads. [6]Mythical and natural figures are used for the work, including peacocks, ducks, parrots, trees, elephants, creepers, flowers such as jasmine and lotus, the Sun, half-moon, and Rahu (a mythical demon who once swallowed up the sun).
The programs have a machine stops during stitching to allow the user to switch threads. First, the fabric that will be the background and the appliqué fabric are affixed into the machine's embroidery hoop. The program is run and the machine makes a loose basting stitch over both layers of fabric. Next, the machine halts for a thread change, or ...
The "front" of a piece of fabric having a distinct front and back; same as right side. facing A facing is fabric used to finish the raw edges of a garment such as at neckline and armhole. Shaped facings are cut to match the edge they will face, and bias facings are strips of fabric cut on the bias or cross-grain and shaped to fit edge.
Paper was cut into shapes and used as a pattern; each individual piece of cut fabric was basted around the paper pattern. Paper was a scarce commodity in the early American west so women would save letters from home, postcards, newspaper clippings, and catalogs to use as patterns. The paper not only served as a pattern but as an insulator.
Cross-stitch sampler, Germany Cross stitching using a hoop and showing use of enamel needle minder. Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture.
Born on March 22, 1928, in Doon, Iowa, Jean Ray Laury was the daughter of Ralph and Alice Ray.She was the second of four girls. Growing up, Laury's "mother encouraged her to 'do what you want to do, and don't do what everybody else does.'" [5] As a child, Laury loved drawing and painting.