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"First We Take Manhattan" is a song written by Canadian singer-songwriter Leonard Cohen. It was originally recorded by American singer Jennifer Warnes on her 1986 Cohen tribute album Famous Blue Raincoat, which consisted entirely of songs written or co-written by Cohen.
In 2022, Canadian-Israeli journalist Matti Friedman referenced the song title with his book, Who by Fire: Leonard Cohen in the Sinai. The book is an account of Cohen's experience performing in the Sinai. [4] A 2024 French-Canadian film, Who by Fire, directly references the song in its English-language title. [5]
The song was the subject of a 2012 book, The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of 'Hallelujah'; author Alan Light said that Cohen's "approach to language and craft feel unlike the work of anybody else. They sound rooted in poetry and literature because he studied as a poet and a novelist first."
"Suzanne" is a song written by Canadian poet and musician Leonard Cohen in the 1960s. First published as a poem in 1966, it was recorded as a song by Judy Collins in the same year, and Cohen performed it as his debut single, from his 1967 album Songs of Leonard Cohen. Many other artists have recorded versions, and it has become one of the most ...
"Famous Blue Raincoat" is widely considered to be one of Cohen's best songs. Far Out and American Songwriter ranked the song number six and number five, respectively, on their lists of the 10 greatest Leonard Cohen songs. [6] [7]
From his first 1967 album Songs of Leonard Cohen to his elegiac 14 th studio and final album You Want it Darker in 2016, he sang about relationships, reflected on life, death, love, impermanence ...
To quote Leonard Cohen (backcover of “Greatest Hits”, 1976): I began this on Aylmer Street in Montreal and finished it a year or so later at the Chelsea Hotel in New York. I didn’t think I was saying goodbye but I guess I was. She gave me many songs, and she has given songs to others too. She is a Muse.
The genesis of "Tower of Song" is described in Ira Nadel's 1996 Cohen memoir Various Positions: "Tower of Song" is the keynote work of I'm Your Man. With it, Cohen wanted to "make a definitive statement about the heroic enterprise of the craft" of songwriting. In the early eighties, he called the work "Raise My Voice in Song."