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A stereo system cost up to twice as much as a monophonic system since a stereo system contains two preamplifiers, two amplifiers, and two speaker systems. In addition, the user would need an FM stereo tuner, to upgrade any tape recorder to a stereo model, and to have their phonograph fitted with a stereo cartridge.
Virtually any kind of audio speaker may be used in distributed audio applications. Home audio systems usually make use of in-ceiling and in-wall speakers or small "satellite" speakers. Larger venues often use larger speakers. For outdoor installations, speakers may be camouflaged as rocks or hidden in landscaping.
New mounting brackets allow the newly designed speakers to mount nearly flush to the wall. [37] In the past, Bose has manufactured a 6.1-channel Acoustimass system, the Acoustimass 16, which featured five "double cube" satellite speakers, a single center-channel speaker, and an Acoustimass bass module. [38]
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...
Bose Acoustic Wave Music System CD-3000 with CD player and FM radio. The first "Wave" product was the "Acoustic Wave Music System" (AWMS-1), which was a tabletop mini-hifi system that was introduced in 1984. The AWMS-1 consisted of an AM/FM radio, cassette player, two 2-inch tweeters, and a four-inch woofer. [2]
Audio equipment evolved from large wooden cabinets to compact units. The 1970s introduced enhancements like quadraphonic sound and technologies like Dolby Pro Logic. This era also saw the rise of component-based stereo systems, and cassette decks too became a staple. Integrated systems, termed "music centers" gained popularity in the 1980s.