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The Railsback curve shows how a piano tuned to compensate for inharmonicity deviates from theoretically correct equal-tempered tuning. The Railsback curve, first measured in the 1930s by O.L. Railsback, a US college physics teacher, expresses the difference between inharmonicity-aware stretched piano tuning, and theoretically correct equal-tempered tuning in which the frequencies of successive ...
prepared piano, i.e. introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials
In the acoustic piano, harpsichord, and clavichord, the vibrating element is a metal wire or string; in many non-digital electric pianos, it is a tapered metal tine (Rhodes piano) or reed (Wurlitzer electric piano) with one end clamped and the other free to vibrate.
A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...
The type of mute and when to add and remove is specified in text above the music; open is often used in music for brass to indicate the subsequent passage should be played without a mute. [5] In classical music , the phrase con sordino or con sordini ( Italian : with mute , abbreviated con sord.
The mechanics of the action also makes the hammer recoil from the string instantly, so as not to damp vibration, and also prevents the hammer from bouncing, striking the string multiple times. Piano actions, even in the original version invented by Bartolomeo Cristofori, tend to be quite complex and have been subject of ingenious inventions and ...
In the 18th and early 19th centuries, the piano had evolved to have three strings to most notes. The soft pedal of this time was more effective than today, since it was possible to use it to strike three, two, or even just one string per note—this is the origin of the name una corda (Italian for 'one string'). In modern pianos, the strings ...
Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.