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Despite their relatively short interaction, the Tainos had a notable influence on Spanish culture, incorporating more words into the Castilian language than any other external influence. [1] Daily customs were adopted by the colonizing settlers, including barbecue and the cultivation of corn and other New World plants.
These influences are evident in the fields of dance and music, such as la bomba, la plena, and most recently in reggaeton, which is an Afro-Caribbean based Puerto Rican genre, as well as influences in Puerto Rican Spanish, and Puerto Rican cuisine. The presence of African diasporic religions, such as Santeria, is due to African influence.
It belongs to the group of Caribbean Spanish variants and, as such, is largely derived from Canarian Spanish and Andalusian Spanish. Outside of Puerto Rico, the Puerto Rican accent of Spanish is also commonly heard in the U.S. Virgin Islands and many U.S. mainland cities like Orlando, New York City, Philadelphia, Miami, Tampa, Boston, Cleveland ...
Distinct Puerto Rican words like "jevo,", "jurutungo" and "perreo" have been submitted to Spain's Royal Academy- considered the global arbiter of the Spanish language.
Non-Spanish cultural diversity in Puerto Rico and the basic foundation of Puerto Rican culture began with the mixture of the Spanish-Portuguese (catalanes, gallegos, andaluces, sefardíes, mozárabes, romani et al.), Taíno Arauak and African (Yoruba, Bedouins, Egyptians, Ethiopians, Moroccan Jews, et al.) cultures in the beginning of the 16th century.
From standard Spanish acicalado bembé a big party. [3] [6] bichote Important person. From English big shot. [7] birras Beer. [3] bochinche gossip [8] boricua The name given to Puerto Rico people by Puerto Ricans. [3] bregar To work on a task, to do something with effort and dedication. [9] broki brother or friend. [5] cafre a lowlife.
The most significant Spanish immigration wave occurred during the colonial period, continuing with smaller numbers arriving during the 20th century to the present day. The Spanish heritage in Puerto Rico is palpable today in its customs and many traditions, language, and in the old and new architectural designs.
As early as 1820, Miguel Cabrera identified many of the jíbaros' ideas and characteristics in his set of poems known as The Jibaro's Verses.Then, some 80 years later, in his 1898 book Cuba and Porto Rico, Robert Thomas Hill listed jíbaros as one of four socio-economic classes he perceived existed in Puerto Rico at the time: "The native people, as a whole, may be divided into four classes ...