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Illustration of Riemann's "dualist" system: minor as upside down major. Half-steps are indicated by slur marks, other notes are separated by whole steps. The descending melodic minor scale shown has the same order of half steps and whole steps as the ascending major scale.
[7 single-note scale exercises on a single stave, in different keys and patterns, played by alternating hands; the 8th exercise is on two staves with scales in simultaneous octaves played with alternating hands, finishing with diverging stepwise chords in both hands] (g) Anhang. Terzen [Appendix. Thirds], p. 52
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
A melodic tone can often be harmonized in a variety of different ways. For example, an E might be harmonized with an E major chord (E – G ♯ – B). In this case, the melodic tone is acting as the root of the chord. That same E might be harmonized with a C major chord (C – E – G), making it the third of the chord.
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