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The first movement begins passionately, with the theme first played by the violin and amenable like so many of Schumann's themes to canonic treatment; Schumann once remarked on this fact himself. This theme serves to introduce a compact, driven sonata form pushed ahead by economical use of rhythms (new themes often are based on some of the same ...
The first movement, marked Andantino and commencing in 6/8 meter, opens with a lyrical violin melody to be played sognando (dreamily) and pianissimo (very softly) over viola tremolos. The solo violin is joined in dialogue by the flutes, clarinets, and oboes. [ 12 ]
Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
The first movement is unusual in that it is a Vorspiel, a prelude, to the second movement and is directly linked to it. [6] The piece starts off slowly, with the melody first taken by the flutes, and then the solo violin becomes audible with a short cadenza. This repeats again, serving as an introduction to the main portion of the movement ...
First performed at the Imperial Bolshoi Kamenny Theatre of Saint Petersburg on 24 February [O.S. 12 February] 1859. George Rochberg – Caprice Variations (1970), 50 variations for solo violin; Michael Romeo – "Concerto in B Minor" is an adaptation of Allegro Maestoso (first movement) of Paganini's Violin Concerto No. 2 in B minor, Op. 7.
The tune is played by the solo violin itself before a short codetta ends the exposition section of the opening movement. The opening two themes are then combined in the development section, where the music builds up to the innovative cadenza, which Mendelssohn wrote out in full rather than allowing the soloist to improvise. [6]
(i.e. playing B ♭-A ♭-G-F-E ♭) Two strings would be required to play this downward scale, whereas only one string is required to play it in the key of D. In addition, having the orchestra playing in E-flat appears to comparatively mute the sound of the orchestra compared to the solo violin, because the orchestral string section plays less ...
The Double Concerto for Two Violins and Orchestra (H. 175; Op. 49) [1] is a work by Gustav Holst in three movements played without a break. It was written in 1929 and first performed in 1930 by its dedicatees, the sisters Adila Fachiri and Jelly d'Arányi. Though now praised by many critics, it has never been frequently performed in the concert ...