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Kittinger Company furniture was used extensively in the redesign since this company was the sole licensee of furniture for the Colonial Williamsburg Foundation's famous program to produce exact reproductions of 18th century antiques. [6] Included in the redesign was a new conference table and chairs for the cabinet room.
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
By the mid-18th century the firm was one of the leading cabinet-makers in Lancaster. [4] They had a reputation for manufacturing very high quality furniture. [1] [5] By the end of the 1700s most of the firm's partners were based in London. [6] The firm merged with a Liverpool firm in 1897 to form Waring & Gillow.
Anthony Hay made furniture in Colonial Williamsburg. As the colony grew, other furniture makers developed in Norfolk, Fredericksburg, Alexandria and Petersburg. [2] In Fredericksburg alone, more than a dozen manufacturers made European-style furniture in facilities owned by cabinetmakers such as Robert and Alexander Walker, James Allen and ...
Jean-Henri Riesener and his furniture was the subject of a six-year research project carried out by curators and conservators at the Wallace Collection, Waddesdon Manor and the Royal Collection. Close examination of the thirty pieces of Riesener furniture in the three collections, along with art historical and archival research, revealed much ...
Thomas Shearer (fl. 1788) [1] was an 18th-century English furniture designer and cabinet-maker. Shearer was a craftsman and the author of most of the plates in The Cabinet Maker's London Book of Prices and Designs of Cabinet Work, issued in 1788 "for the London Society of Cabinet Makers." The majority of these plates were republished separately ...