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Recitative and aria for soprano and orchestra: Metastasio, Artaserse II,11: 1766, or Count Firmian's audition party, Milan, 12 March 1770 deest KV 9 646 "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra: unknown: 1769 82: 73o "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra: Metastasio ...
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (/ˈɑriə/ Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part ...
Sopranos who are able to cope with the aria's demands have been few and far between, and the aria is usually omitted from performances of Alceste. It has been therefore redesignated a concert aria, to be presented in concerts by such rare singers as are able to deliver its fiendishly difficult coloratura. "Nehmt meinen Dank, ihr holden Gönner!"
– Io non chiedo, eterni Dei" (K. 316/300b) is a recitative and aria for soprano and orchestra that Wolfgang Amadeus Mozart wrote for Aloysia Weber. It is famous for including two occurrences of a G 6 , i.e. the G in altissimo above high C , or 1568 Hz by modern concert pitch – according to the Guinness Book of Records , the highest musical ...
The text of "Conservati fedele" has also been set to music by Leonardo Vinci (1690–1730) and Hasse (1699–1783) in their respective operas Artaserse, by Antonio Salieri and Marianne von Martines (1744–1812) [3] as concert arias, twice by Joseph Martin Kraus (1756–1792), by Ferdinando Carulli (1770–1841) for voice and guitar, and by Theodor von Schacht (1748–1823) as a canon for ...
Dame Carolyn Emma Kirkby, DBE (/ ˈ k ɜːr k b i /; born 26 February 1949) is an English soprano and early music specialist. She has sung on over 100 recordings. She has sung on over 100 recordings. [ 1 ]
Andromeda then reflects to (the absent) Perseus with an intense grief. The recitative and aria ends in a gentle cavatina "Deh, non vacar", with a quiet ending in B-flat major. [1] The passionate writing hints at later roles for operatic sopranos, such as Elektra in Idomeneo, The Queen of the Night in The Magic Flute and Donna Anna in Don ...
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