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La bohème is one of the most popular operas, and "Che gelida manina", being the best-known tenor aria of the opera, is consequently one of the most recorded arias by tenors. Between 1900 and 1980, almost 500 tenors recorded this aria in at least seven different languages. [10]
Features one of the greatest tenor arias of all time, Celeste Aida. 1874 Boris Godunov (Modest Mussorgsky). Mussorgsky's great historical drama shows Russia's descent into anarchy in the early 17th century. [124] 1874 Die Fledermaus (Johann Strauss II). Probably the most popular of all operettas. [125] 1874 The Two Widows (Smetana). Another ...
Pages in category "Tenor arias" The following 22 pages are in this category, out of 22 total. This list may not reflect recent changes. C. Ch'ella mi creda;
The Lubbock Symphony Orchestra will present "Opera's Greatest Arias" Saturday evening with guest artist Limmie Pulliam — described as a "dramatic" and "powerful" tenor — performing Verdi and ...
Aria for tenor and orchestra: Metastasio Ezio, II,4: 1765 36: 33i "Or che il dover – Tali e cotanti sono" (Score/Crit. report) Recitative and aria for tenor and orchestra: unknown: December 1766 71 "Ah, più tremar non voglio" (Score/Crit. report) Aria for tenor and orchestra (fragment) Metastasio Demofoonte, I,1: 1769 or 1770 209
" Nessun dorma" (Italian: [nesˌsun ˈdɔrma]; English: "Let no one sleep") [1] is an aria from the final act of Italian composer Giacomo Puccini's opera Turandot (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera.
Mario del Monaco: Decca Recitals 1952–1969 – 5 CDs, all studio – opera arias, sacred music, Neapolitan, Spanish and English songs. Mario del Monaco: Grandi Voci – DECCA, 19 tracks, all studio – excellent selection of his finest arias (mostly Verdi and Puccini, but also including 'Vesti la giubba') plus three popular songs (including ...
In addition to four arias for the principal tenor ("Un dì all'azzurro spazio"; "Io non amato ancor"; "Si, fui soldato"; "Come un bel dì di maggio"), the opera contains a well-known aria ("La mamma morta") for the soprano heroine, which was featured in the film Philadelphia (the Maria Callas version is used on the soundtrack. [3])