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Chartres' windows are celebrated for their cobalt blue, known as "Chartres blue" or "Romanesque blue", which first emerged in the workshops at Saint-Denis Basilica in the 1140s and was also used at Le Mans Cathedral. With a sodium base coloured with cobalt, it is the more resistant than reds and greens of the same era.
Chartres Cathedral, (French: Cathédrale Notre-Dame de Chartres, lit., Cathedral of Our Lady of Chartres), is a Catholic cathedral in Chartres, France, about 80 km (50 miles) southwest of Paris, and is the seat of the Bishop of Chartres.
This photograph shows the stained glass in the north transept of Chartres Cathedral. The rose window, which is 10.5 metres (34 feet) in diameter, was installed circa 1230 and contains imagery relating to the Virgin Mary and figures from the Old Testament.
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
The fronts of the north and south transepts are High Gothic, as is the sculpture of the six thirteenth-century portals. The spire on the north tower is later Flamboyant. [15] Chartres still has much of its original medieval stained glass, famous for the deep color called Chartres blue. [15] Chartres Cathedral
One distinctive feature is the sculpture in the central western portal, which depicts the Death of the Virgin Mary and her Assumption on the lintel, and her Coronation in the tympanum. This arrangement became a common Gothic feature, found at both the north portal of Chartres Cathedral and the northwest tower of Notre Dame de Paris. A major ...
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral).