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Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres (French: Cathédrale Notre-Dame de Chartres), is a Catholic cathedral in Chartres, France, about 80 km (50 miles) southwest of Paris, and is the seat of the Bishop of Chartres.
The most notable examples are the great Gothic cathedrals of France, including Notre-Dame Cathedral, Reims Cathedral, Chartres Cathedral, and Amiens Cathedral. Its main characteristics are verticality, or height, and the use of the rib vault and flying buttresses and other architectural innovations to distribute the weight of the stone ...
The painting shows the west front of Chartres Cathedral bathed in a warm afternoon light that accentuates its luminosity. The cathedral, with clear and precise lines, has two juxtaposed spires, whose verticality is taken up by the two slender trees on the right, according to a balanced and coherent composition found also in other works by Corot.
The choir wall of Chartres Cathedral (French - clôture de chœur or tour du chœur) is a piece of stone architecture and sculpture in Chartres Cathedral, over 6 metres tall and around 100 metres long.
Burgos Cathedral, commenced in 1221, represents many of the characteristics and is described by Banister Fletcher as "the most poetic of Spanish cathedrals." [ 2 ] Note - This list presents a brief analysis of regional characteristics found in the particular building. [ 2 ]
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
On Sunday, 27 February 1594, the cathedral of Chartres was the site of the coronation of Henry IV after he converted to the Catholic faith, the only king of France whose coronation ceremony was not performed in Reims. In 1674, Louis XIV raised Chartres from a duchy to a duchy peerage in favor of his nephew, Duke Philippe II of Orléans.
The parable of the Good Samaritan (Luke 10:30-37) [5] complemented by a series of Old and New Testament typologies served as a popular subject for cathedral glazing programs in the thirteenth century. [6] Three French cathedral windows fabricated between 1200 and 1215 function in this way: Sens (c.1200), Chartres (1205/1215), [7] and Bourges (c ...