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In 2006, The Phantom of the Opera won the RIAJ's Japan Gold Disc Award for "Best Soundtrack Album of the Year." [ 2 ] The album performed well on the charts, reaching the top position of Billboard's soundtracks chart [ 3 ] as well as the sixteenth position on the Top 200 chart. [ 4 ]
The Phantom of the Opera is a musical by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe, and a libretto by Lloyd Webber and Stilgoe. Based on the novel by Gaston Leroux, it tells the tragic story of beautiful soprano Christine Daaé, who becomes the obsession of a mysterious and disfigured musical genius living in the subterranean labyrinth beneath the Paris ...
Author and music historian Ethan Mordden stated that the song contains "lyrical magnificence" and noted that its brilliance helped it "accomplish wonderful things" on stage. [15] The song was described as one of the biggest and most commercially successful hits from The Phantom of the Opera by the staff at Show Music. [16]
Pages in category "Songs from The Phantom of the Opera (1986 musical)" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes .
In 1984, Andrew Lloyd Webber and producer Cameron Mackintosh began working on the Phantom of the Opera musical, with Lloyd Webber's wife, Sarah Brightman, set to play the heroine Christine. [2] Lloyd Webber composed the music of what became the title track and gave an early demo recording, minus lyrics and vocals, to Mike Batt .
"The Music of the Night" is sung immediately following "The Phantom of the Opera", after the Phantom lures Christine Daaé to his lair beneath the Opera House. He seduces Christine with "his music" of the night, his voice putting her into a type of trance. He sings of his unspoken love for her and urges her to forget the world and life she knew ...
"The Phantom of the Opera" Overture by Andrew Lloyd Webber Musical theater lovers will instantly recognize the epic organ intro in the first couple of seconds when this song is played. 55.
In 1984, British producer Ken Hill revived his 1976 musical Phantom of the Opera in England. This was not a big threat to Holder, Kopit and Yeston, since their musical was intended to play on Broadway. The real threat emerged when Andrew Lloyd Webber's The Phantom of the Opera became a smash hit in London in 1986. The novel was already in the ...