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Kintō (Japanese: 巾筒) is a small tube or vessel used to store a chakin cloth during the serving of tea. It is a part of Japanese tea utensils. The container is most often ceramic, but can also be made out of metal, lacquerware, or carved stone. The chakin cloth is folded in a specific manner and then placed into the kintō.
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
Ceramic jar from the Yayoi period. Yayoi pottery (弥生土器 Yayoi doki) is earthenware pottery produced during the Yayoi period, an Iron Age era in the history of Japan traditionally dated 300 BC to AD 300. [1] The pottery allowed for the identification of the Yayoi period and its primary features such as agriculture and social structure. [2]
Kitamura Junko (born 1956) is a Japanese ceramic artist. Examples of her work are in the Museum of Fine Arts, Houston, The Brooklyn Museum, the British Museum, the Museum of Fine Art, Boston, and the Arthur M. Sackler Gallery, Smithsonian. She has won prizes for her work from the Siga Prefecture Art Exhibition in 1983, the Kyoto Art and Crafts ...
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi ( 金繕い , "golden repair") , [ 1 ] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold , silver , or platinum .
Mashiko ware (益子焼, Mashiko-yaki) is a type of Japanese pottery traditionally made in Mashiko, Tochigi. Early pottery in Mashiko dates back to the Jōmon and Yayoi periods . Mashikoyaki is often thought of as simple and rustic in style, with brown and maybe a little red glaze , but modern pottery made in Mashiko today is found in many ...
By rejecting the functionality of the ceramic vessel, Yagi's work effectively opened up a new genre in the Japanese pottery world: the so-called obuje-yaki ("kiln-fired objet "). Following the debut of this work, Yagi and Sōdeisha members began to gradually reject more and more components of traditional pottery, such as the use of the pottery ...