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Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Cuban rumba, a traditional Cuban music genre; Galician rumba, a music genre of Galicia, Spain, influenced by Cuban music. Rhumba, also known as ballroom rumba, an American style of ballroom music; Rumba flamenca, a style of flamenco; Catalan rumba, a Spanish popular music style; Rumba criolla, a genre of Colombian popular music
The word rumba is an abstract term that has been applied with different purposes to a wide variety of subjects for a very long time. From a semantic point of view, the term rumba is included in a group of words with similar meaning such as conga, milonga, bomba, tumba, samba, bamba, mambo, tambo, tango, cumbé, cumbia and candombe. All of them ...
Tam Tam o El origen de la rumba (1938, Cuba) is a pioneer short musical film of the Cuban sound cinema, directed by Ernesto Caparrós, based on the music by the brothers Alfredo Brito and Julio Brito. The film aims to show the evolution of La Rumba from its beginnings, through the love story of two young slaves. [1] [2]
Alicia Parla (1914 – October 6, 1998) was a Cuban rhumba dancer and hospital administrator who was called "the Queen of Rumba" by the press. Born into a strict middle-class Cuban family, she and her family moved to Miami when Cuba became politically turbulent in the 1920s.
Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell (ekón) part in abakuá music. The form of rumba known as columbia is culturally and musically connected with abakuá which is an Afro Cuban cabildo that descends from the Kalabari of Cameroon ...