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OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997.With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997.
Radiohead were formed at Abingdon School in Oxfordshire in 1985 and are best known for the albums Ok Computer, Pablo Honey and In Rainbows, as well as singles such as Creep, Paranoid Android and ...
The album title, a term for decompression sickness, references Radiohead's rapid rise to fame with "Creep"; Yorke said "we just came up too fast". [57] John Leckie , who produced The Bends , recalled that EMI hoped for a single "even better" than "Creep" but that Radiohead "didn't even know what was good about it in the first place". [ 58 ]
[1] [2] Their debut single, "Creep", remains their most successful, entering the top 10 in several countries. Their second album, The Bends, released in March 1995, reached number four in the UK and is certified triple platinum. [1] Radiohead's third album, OK Computer, was released in May 1997. It remains their most successful album, reaching ...
Radiohead's fourth album, Kid A, was released in October 2000. A departure from OK Computer, Kid A featured a minimalist and textured style with more diverse instrumentation, including the ondes Martenot, programmed electronic beats, strings, and jazz horns. [65]
With Radiohead's fourth album, Kid A (2000), Yorke moved into electronic music, influenced by Warp acts such as Aphex Twin. For most of his career, he has worked with the producer Nigel Godrich and the cover artist Stanley Donwood. Yorke's solo work comprises mainly electronic music. His debut solo album, The Eraser, was released in 2006.
Radiohead's first album, Pablo Honey (1993), preceded by their breakthrough single "Creep", [4] features a sound reminiscent of alternative rock bands such as the Pixies and Nirvana. [ 5 ] [ 6 ] The Bends (1995) marked a move toward " anthemic rock ", [ 5 ] with more cryptic lyrics about social and global topics, and elements of Britpop .
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