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Die Mörder sind unter uns, a German film known in English as Murderers Among Us in the United States or The Murderers Are Among Us in the United Kingdom was one of the first post-World War II German films [1] and the first Trümmerfilm. It was produced in 1945/46 in the Althoff Studios in Babelsberg and the Jofa-Ateliers in Johannisthal.
In the film The Murderers Are Among Us, the female protagonist Susanne returns from a concentration camp and is shocked by the misery of Germans in the cities. A common trope in the rubble films is the highlighting of German soldiers' trauma at the expense of relegating the suffering of political and racial enemies of the Third Reich.
The main focus of his work was to highlight the limits of German national pride. His work in anti-Nazi films, such as Murderers Among Us (1946), was also a personal working-through of his film career under the Nazis (he acted in the anti-Semitic film Jud Süß). Following 1956, he worked in West Germany. By the 1970s, his work was no longer ...
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Assassinations have formed a major plot element in works of fiction. This article provides a list of such works. Assassination is the murder of a prominent person for a motive that is broadly public and political rather than merely personal or financial. [1] Assassinations in fiction have attracted scholarly attention.
The Murderers Are Among Us (1946) Raid (1947) Nora's Ark (1948) The Court Concert (1948) Das Mädchen Christine (1949) The Marriage of Figaro (1949) The Merry Wives of Windsor (1950) Corinna Schmidt (1951) Der Fall Dr. Wagner (1954) Damals in Paris (1956) My Wife Makes Music (1958) Goods for Catalonia (1959)
Murderers Among Us: The Simon Wiesenthal Story is a 1989 American biographical film directed by Brian Gibson and written by Abby Mann, Robin Vote and Ron Hutchinson. The film stars Ben Kingsley, Renée Soutendijk, Craig T. Nelson, Anton Lesser, Jack Shepherd and Paul Freeman. The film premiered on HBO on April 23, 1989. [1] [2] [3] [4]
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