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In Māori mythology, as in other Polynesian traditions, Māui is a culture hero and a trickster, famous for his exploits and cleverness. Māori names of Māui include Māui-tikitiki ("Māui the top-knot"), Māui-tikitiki-a-Taranga ("Māui the top-knot of Taranga"), Māui-pōtiki ("Māui the last born"), and Māui te whare kino ("Māui the house of trouble").
In the song "Shiny" composed by Lin-Manuel Miranda and Mark Mancina, Tamatoa called Maui "Ya little semi-demi-mini-god". [8] This version of Maui incorporates elements of the Māui from Māori mythology and other Polynesian narratives. Maui was also the subject of Israel Kamakawiwo'ole's song "Maui Hawaiian Sup'pa Man" in his most well-known ...
Title page of Polynesian Mythology (1855). Polynesian Mythology and Ancient Traditional History of the New Zealand Race as Furnished by Their Priests and Chiefs is an 1855 collection of Māori mythology compiled and translated by Sir George Grey, then Governor-General of New Zealand, with significant assistance from Te Rangikāheke.
Māui stole fire from the fingernails of Mahuika. Māui wanted to know where fire came from, so one night he went among the villages of his people and put all the fires out. Māui's mother Taranga, who was their rangatira, said that someone would have to ask Mahuika, the goddess of fire, for more. So Māui (a grandson of Mahuika) offered to go ...
The song is a bit of an about-face for the cocky demi-god voiced by Dwayne Johnson. ... Moana 2's beguiling new villain shares a shadowy history with Maui. The song comes near the climax of the ...
In some traditions, Māui planted Mahuika's fingernails in the trees to make fire. [9] In other versions of the legend, Mahuika is regarded as Maui's grandmother, instead of his aunty. [10] Tāwhirimātea, the God of wind, is a present character in the Māori myth but is not mentioned in the Gossage novel. In the myth, despite Māui ...
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The Maui myth, for example, was important not only as entertainment but also because it embodied the beliefs of the people concerning such things as the origin of fire, of death, and of the land in which they lived. The ritual chants concerning firemaking, fishing, death, and so on made reference to Maui and derived their power from such reference.