Search results
Results From The WOW.Com Content Network
Le Spectre de la rose (The Spirit of the Rose) is a short ballet about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball. [1] The ballet was written by Jean-Louis Vaudoyer who based the story on a verse by Théophile Gautier and used the music of Carl Maria von Weber's piano piece Aufforderung zum Tanz (Invitation to the Dance) as orchestrated by Hector ...
Le Spectre de la Rose (Fokine) L'Apres midi d'un Faune (Nijinsky) in 1981 Nureyev was above all a stickler for classical technique, and his mastery of it made him a model for an entire generation of dancers.
Manuel Legris (born October 10, 1964) is a French ballet dancer.He was a danseur étoile (principal dancer) with the Paris Opera Ballet for 23 years. [1] On September 1st, 2010, he became the director of the Vienna State Ballet. [1]
He applauded Nijinsky in Le Spectre de la Rose, which Michel Fokine choreographed, and said that this was the kind of ballet that should be performed for the public. [17] Cartoon by Daniel de Losques published in Le Figaro, 30 May 1912. Diaghilev responded to Calmette by forwarding letters of support to Le Figaro which they published the ...
Nijinsky in Le Spectre de la Rose (1911) Nijinsky took the creative reins and choreographed ballets which pushed boundaries and stirred controversy. His ballets were L'après-midi d'un faune (The Afternoon of a Faun, based on Claude Debussy's Prélude à l'après-midi d'un faune) (1912); Jeux (1913); and Till Eulenspiegel (1916). These ...
Poster by Jean Cocteau for the 1911 Ballet Russe season showing Nijinsky in costume for Le Spectre de la rose, Paris. The Ballets Russes (French: [balɛ ʁys]) was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America.
She occasionally assisted with the revival of the ballets in which she had danced, notably Spectre de la Rose, in which she coached Margot Fonteyn and Rudolf Nureyev. She was a ballet teacher to Lady Ursula Manners. [27] In 1959, Karsavina advised Sir Frederick Ashton on his important revival of La Fille Mal Gardée for the Royal
Le Spectre de la rose, , young girl 1978. Divertimento No. 15 , soloist 1978. The Four Temperaments (Balanchine), third theme 1978. Le Bourgeois Gentilhomme (Balanchine), pas de deux 1979. Life , soloist 1979. Serait-ce la mort? (Béjart), soloist 1979. The Sleeping Beauty (Petipa, staged Alonso), Lilac Fairy 1979.