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Though it is part of the devotional tradition, it is in the rites of the Hindus that it plays an important role. The entire text is considered as one single Mantra and a collection of 700 Mantras. The Devi Māhātmyam is treated in the cultic context as if it were a Vedic hymn or verse with sage (ṛṣi), meter, pradhnadevata, and viniyoga ...
Download QR code; Print/export ... Ganesha Mantra and Om with Digeridoo" – 2:46 "From Durga Saptashati (700 Names in Praise of Mother Durga)" – 1:59
It is a one-and-a-half-hour audio montage of Chaṇḍipāaṭh (chanting from Chaṇḍi) recitation from the scriptural verses of Śrī Śrī Chaṇḍi or Durga Saptashati, [2] Bengali devotional songs, classical music and a dash of acoustic melodrama.
Within the Devi Mahatmya, Chandi, Chandika, Ambika, and Durga are often used interchangeably to refer to the Supreme Goddess in the sect. [3] [page needed] Alongside the Sri Vidhya mantras, it is one of the principal mantras in Shakti worship. It is customary to chant this mantra when chanting the Devi Mahatmya. It is one of the primary mantras ...
Armed with the weapons and attributes of the deities, Durga slew the shape-shifting Mahishashura, who assumed the forms of a lion, elephant, and a buffalo, and finally a man. She was glorified by the deities as the primordial being and the origin of the Vedas. Pleased by their hymns, the goddess promised the deities salvation whenever they ...
According to this school, any shloka from holy Hindu texts like the Vedas, Upanishads, Bhagavad Gita, Yoga Sutra, even the Mahabharata, Ramayana, Durga saptashati or Chandi is a mantra, thus can be part of the japa, repeated to achieve a numinous effect.
The temple has been mentioned in Durga Saptashati. It is written that the goddess Durga was born from the womb of Yashoda on the same night as Krishna was born. When Kansa (King of Mathura) tried killing the baby by smashing her body to a stone, she miraculously went away from his grip and turned into the divine form of the goddess.
Durga slaying Mahishasura is a prominent theme which was sculpted in various caves and temples across India. Some of the prominent representations are seen at the Mahishasuramardini caves in Mahabalipuram , the Ellora Caves , in the entrance of Rani ki vav , [ 14 ] Hoysaleswara Temple in Halebidu and many more temples across India.