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The Medici were still able to show their wealth on the exterior through their building material choices. The rusticated blocks soon became seen as a status symbol as the materials were costly and rare. They also, later, became a large part of power politics that was believed to have started with the Palazzo Medici Riccardi. [10]
The Medici belonged to the Compagnia de' Magi, a Florentine confraternity based at the San Marco complex just by the Medici Palace, both of which Cosimo de' Medici rebuilt a few years before the tondo was painted. An annual procession on the feast of the Epiphany on January 6 was organized by the confraternity, and passed in front of the Medici ...
In addition to their country villas, the Medici also occupied the following buildings in Florence: Palazzo Medici Riccardi (1444–1540, then used by less important members of the family until 1659) Palazzo Vecchio (1540 - c.1560) Palazzo Pitti (1550–1738) Casino di San Marco; and the Villa Medici in Rome.
The Vasari Corridor (Italian: Corridoio Vasariano) is an elevated enclosed passageway in Florence, central Italy, connecting the Palazzo Vecchio with the Palazzo Pitti. Beginning on the south side of the Palazzo Vecchio, it joins the Uffizi Gallery and leaves on its south side, crossing the Lungarno degli Archibusieri, then following the north ...
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The villa was among the first [1] of a number of Medici villas, notable as the site of the Platonic Academy founded by Cosimo de' Medici, who died at the villa in 1464.Like most villas of Florentine families, the villa remained a working farm that helped render the family self-sufficient.
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The painting was found by art historian Giuseppe Poggi in 1907 in the psychiatric hospital of San Salvi in Florence. There are several theories about the provenance of the panel: Poggi assigned it to the Villa of Castelpulci, owned by the Riccardi family, who bought Palazzo Medici in 1655.