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Pre-Code Hollywood was an era in the American film industry that occurred between the widespread adoption of sound in film in the late 1920s and the enforcement of the Motion Picture Production Code censorship guidelines (popularly known as the Hays Code) in 1934.
Thou Shalt Not, a 1940 photo by Whitey Schafer deliberately subverting some of the Code's strictures. In the 1920s, Hollywood was rocked by a number of notorious scandals, such as the murder of William Desmond Taylor and the alleged rape of Virginia Rappe by popular movie star Roscoe "Fatty" Arbuckle, which brought widespread condemnation from religious, civic and political organizations.
Pre-Code Hollywood is the era in the American film industry after the introduction of sound in the early 1920s [1] and the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become effectively enforced until July 1, 1934.
Depression economics and changing social mores resulted in the studios producing racier fare that the Code, lacking an aggressive enforcement body, was unable to redress. This era is known as Pre-Code Hollywood. An amendment to the Code, adopted on June 13, 1934, established the Production Code Administration (PCA), and required that all films ...
The era of American film production from the early sound era to the enforcement of the Hays Code in 1934 is denoted as Pre-Code Hollywood. The era contained violence and crime in pictures which would not be seen again until decades later.
In Blake Lively’s bombshell sexual harassment complaint against Justin Baldoni, the fixers are now part of the problem. On top of the laundry list of accused misconduct on the set of the film ...
Authorities are investigating whether the Hollywood building where a fire broke out Thursday night that killed one person and injured two was approved for use as studios.
The Motion Picture Production Code, also simply known as the Production Code or as the "Hays Code", was established both to curtail additional government censorship and to prevent the loss of revenue from boycotts led by the Catholic Church and fundamentalist Protestant groups, who had wanted to judge the moral impact of Hollywood cinema on the ...