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That is, when the first goes up, the second goes down the same number of diatonic steps (with some chromatic alteration); and when the first goes down, the second goes up the same number of steps. In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of ...
The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. [4] More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). [5] The elements of a set may be manifested in music as simultaneous chords, successive tones (as in ...
Nashville Number System. The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and ...
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice. [1] It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music [1] (Classical period and Romantic music).
Set 3-1 has three possible rotations/inversions, the normal form of which is the smallest pie or most compact form. In musical set theory, a Forte number is the pair of numbers Allen Forte assigned to the prime form of each pitch class set of three or more members in The Structure of Atonal Music (1973, ISBN 0-300-02120-8). The first number ...
In music, a permutation ( order) of a set is any ordering of the elements of that set. [3] A specific arrangement of a set of discrete entities, or parameters, such as pitch, dynamics, or timbre. Different permutations may be related by transformation, through the application of zero or more operations, such as transposition, inversion ...
Voice leading. A phrase in J. S. Bach 's four-part chorale, Schau, lieber Gott, wie meine Feind (mm. 5–6). The four voices (SATB) each follow independent melodic lines (with some differences in rhythm) that together create a chord progression ending on a Phrygian half cadence. Voice leading (or part writing) is the linear progression of ...
Retrograde inversion is a musical term that literally means "backwards and upside down": "The inverse of the series is sounded in reverse order." [1] Retrograde reverses the order of the motif's pitches: what was the first pitch becomes the last, and vice versa. [2] This is a technique used in music, specifically in twelve-tone technique, where ...