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Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong.Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
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[19] Her words and art are created entirely on an iPad Pro. [22] Her debut book, Storyteller, was released in December 2017. [23] The book contains one hundred poems written as letters. [23] Her new book, How Far You Have Gone, which is a collection of poetry and essays accompanied by visuals, is available for pre-order and releases April 27 ...
this day hath God fulfilled his promised word, this day is born a Saviour, Christ the Lord.' He spake; and straightway the celestial choir in hymns of joy, unknown before, conspire; the praises of redeeming love they sang, and heaven's whole orb with alleluias rang: God's highest glory was their anthem still, peace upon earth, and unto men good ...
The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have ...
Veneklasen's poem appeared occasionally in newspaper obituaries, commonly lacking attribution, and often with the decease substituted for "I". In 1963 and 1964, the Aiken Standard and Review in South Carolina ran a poem by frequent contributor M. L. Sullivan titled "Footprints". This was a bit of romantic verse that moves from sadness at "lone ...
A collection of the poems Newton and Cowper had written for use in services at Olney was bound and published anonymously in 1779 under the title Olney Hymns. Newton contributed 280 of the 348 texts in Olney Hymns; "1 Chronicles 17:16–17, Faith's Review and Expectation" was the title of the poem with the first line "Amazing grace! (how sweet ...
Milton J. Bates interprets the poem as a "shocking version" of Santayana's argument in Interpretations of Poetry and Religion (1900) that poetry and religion are equally fictions of the human mind, simply reflecting the values of the human maker. [1]