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Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Pardoning the Rebels at Cairo; Napoleon Receiving the Keys of Vienna; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon's ...
National Gallery of Art, Washington D.C. The Three Women of Gand: 1812 oil on canvas 132 × 105 Louvre Museum, Paris Portrait of Madame David: 1813 oil on canvas 73 × 60 National Gallery of Art, Washington D.C. Apelles Painting Campaspe in the Presence of Alexander the Great: 1814 oil on canvas 96.5 × 136 Palais des Beaux-Arts de Lille, Lille ...
The Birth of the Virgin by Murillo, from Seville Cathedral, now at the Louvre; Philip IV in Brown and Silver by Velázquez, from El Escorial, now at the National Gallery, London; Arnolfini Portrait by Jan van Eyck, from the Royal Palace of Madrid, now at the National Gallery, London
Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805.
A few weeks later Napoleon would win his decisive victory at the Battle of Austerlitz. It was the first commission that Girodet received from the authorities during the Napoleonic era. [4] It was commissioned to hang in the Tuileries Palace in Paris. It was exhibited at the Salon of 1808 at the Louvre.
French Campaign, 1814 shows Napoleon Bonaparte riding a white horse, leading his troops on a cold, snowy road. [2]: 211 The painting captures the hard and gloomy moments of Napoleon’s retreat during the French Campaign of 1814, when the forces of the Sixth Coalition advanced into France.
Napoleon's Return from Elba (French: Retour de Napoleon d' Isle d'Elbe) is an 1818 history painting by the German-born French artist Charles de Steuben. [1] [2] It depicts the scene at Laffrey near Grenoble on 7 March 1815 when Napoleon, having escaped from Elba, is acclaimed by the men of the 7th Regiment of the Line.
The painting is a full-length portrait of Napoleon Bonaparte, wearing the red coloured long coat of the consuls of the French First Republic; his trousers are white with gold embroidery, and he wears Hungarian-style boots of light cavalry. His coat is barred by a red and gilt baldric which supports his sword, the hilt of which protrudes.