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The painting is the example of pahari painting used in Gardner's Art Through the Ages, which states: [3] In Krishna and Radha in a Pavilion, the lovers sit on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gazes directly into Radha's face. Radha shyly averts her gaze.
The work depicts Radha, Krishna, tree, flower, woman, and peacocks. It expresses their love through depiction of flowering trees, birds, and entwining clothing. [3] It is the only known Kota depiction of a scene from Hindu scripture. [4] The story was first told in Bhagavata Purana, although Radha was initially unidentified. "Radha, it was held ...
The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy. This process of glazing or varnishing is quite interesting. The painting is held over a fireplace so that the back of the painting is exposed to heat. On the surface of the painting fine lacquer is applied. [citation ...
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
After he abdicated the throne the couple retired to a comfortable life in Vrindavan, a place associated with the life of Krishna and Radha, to whom Sawant Singh was greatly devoted. A group of Indian paintings of around 1750 attributed to Nihâl Chand from the Marwar school of Kishangarh show Radha Krishna , using the same models, who are ...
Krishna painting feet of Radha, 1760 art form based on Braj's Rasikapriya text. Rasikapriya, a Braj text on poetics depicts Radha as the married consort of Krishna. It is a frequently illustrated text that deals with the Radha Krishna's romance and is written by one of the most prominent writers of the Riti kavya tradition, Kesavdas. Changes in ...
It depicts Krishna and Radha in a Bower, a scene from a dispersed Gita Govinda. Sahibdin ( fl. 17th century ) was an Indian miniature painter of the Mewar school of Rajasthan painting. He was one of the dominant painters of the era, and one of the few whose name is still known today (another being the painter Manohar Das ).
He is attributed with a small group of paintings in a distinctive style, produced for Raja Savant Singh, and mostly depicting the king and Bani Thani as Krishna and Radha respectively. These are "widely held to be the finest of all Rajasthani miniatures", and are unusually large for their type, reaching 19 by 14 inches (48 x 36 cm). [ 1 ]