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Rachael House is a British multi-disciplinary artist, based in London and Whitstable. [1] [2] [3]Her work has been displayed at the Victoria and Albert Museum [4] and she was guest artist at the "Feminism and Gender" exhibition at the New Hall Art Collection. [5]
Naumburg wrote "when art teachings are routine it discourages efforts at spontaneous and creative expression forcing pupils to recreate what they already know is good." (Naumburg, 1973, p. 137). Naumburg's directive of choice was scribble drawing. Naumburg used large sheets of paper and allowed the patient to move their chosen material, paint ...
A letter written by artist Emma Hauck while institutionalized in a mental hospital; many of her letters consist of only the written words "come sweetheart" or "come" repeated over and over in flowing script. Hypergraphia is a behavioral condition characterized by the intense desire to write or draw. Forms of hypergraphia can vary in writing ...
Drawing on a (Grand) Mother's Experience (2015) is a re-staging of the work Drawing on a Mother's Experience as a part of the Women of the World festival at the Southbank Centre, London in March 2015. The work expands on her experience as a working mother and grandmother and the challenges she faced while navigating the mental health system.
Audrey Joan Amiss (1933 – 2013) was a British artist, whose art was re-discovered and recognised after her death in 2013. During her lifetime, Amiss was not well known as an artist and spent large periods of her life in psychiatric hospitals and units, often against her will and following arrest for civil disturbance.
[1] [4] Between 1919 and 1921 the pair visited mental hospitals across Germany, initially collecting over 5000 works. [ 4 ] [ 5 ] [ 2 ] As of 2016, the collection held over 20,000 works. [ 5 ] Prinzhorn, a physician and art historian, was engaged by the hospital in 1919 specifically to improve and expand the collection.
Her more personal work is both intimate and confronting, delving into issues of domestic violence, mental illness and sexual assault, in some cases combining text with portraiture. In Speculations (2004), Schepisi asked a large number of women to write often highly personal biographical essays before painting their portraits. [ 3 ]
Blackbridge's struggle with her mental health has become a large part of her practice, and she uses her experience with mental health institutions to address her perspective on them. Blackbridge is involved in the film, SHAMELESS: The Art of Disability [2] exploring the complexity of living with a disability. Her contributions to projects like ...