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Sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period). While it is typically used in the first movement of multi-movement pieces ...
In the Romantic era, sonata form was first explicitly defined and became institutionalized. Academic scholars like Adolph Bernhard Marx wrote descriptions of the form, often with a normative goal; that is, a goal of stating how works in sonata form should be composed. While the first-movement form had been the subject of theoretical works, it ...
Double-function form is a musical construction that allows for a collection of movements to be viewed as elements of a single larger musical form. The most famous example of this is Franz Liszt 's Piano Sonata in B minor (1853). The sonata is composed as a single movement with about a half an hour's duration. The piece introduces some themes at ...
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms ' Third Piano Sonata, Czerny 's Piano Sonata ...
Symphonies by Pyotr Ilyich Tchaikovsky. Pyotr Ilyich Tchaikovsky struggled with sonata form, the primary Western principle for building large-scale musical structures since the middle of the 18th century. Traditional Russian treatment of melody, harmony and structure actually worked against sonata form's modus operandi of movement, growth and ...
Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work.
Others claim a three-movement form, [14] an extended one-movement sonata form, [12] and a rotational three-movement work with a double exposition and recapitulation. [15] The first theme is a descending scale marked sotto voce; full of ominous undertow. It reappears at crucial points in the work's structure, especially in the coda. [16]
Sonata form is a classical form composed of three main sections, namely exposition, development, and recapitulation. A sonata may begin with an introduction, which is commonly slower than the remainder of the movement. After that, there is an exposition, whose purpose is to present the movement's main thematic material.