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Wagner too wrote a fantasy in F-sharp minor (WWV 22). Handel set the sixth of his eight harpsichord suites of 1720 in F-sharp minor. Aside from a prelude and fugue from each of the two books of The Well-Tempered Clavier , Bach 's only other work in F-sharp minor is the Toccata BWV 910 .
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2][3][4] creating an augmented second between the sixth and seventh degrees. Thus, a harmonic minor scale is represented by the following notation: A harmonic minor ...
A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: Because of this, the key of A minor is called the relative minor of C major.
Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.) The scale-degree chords of E-sharp minor are: Tonic – E-sharp minor
The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic.Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord ...
In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the fifth mode of the harmonic minor scale, the fifth being the dominant. [1] Also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]). It resembles the Phrygian mode but with a major third ...
Harmonic series on G, partials 1–5 numbered Play ⓘ. The harmonic scale is a "super-just" musical scale allowing extended just intonation, beyond 5- limit to the 19th harmonic (Play ⓘ), and free modulation through the use of synthesizers. Transpositions and tuning tables are controlled by the left hand on the appropriate note on a one ...
A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat major. (The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor).