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Otello (Italian pronunciation: [oˈtɛllo]) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare 's play Othello. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of Aida in ...
Iago (/ iˈɑːɡoʊ /) is a fictional character in Shakespeare 's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello 's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having ...
Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity. Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet.
Iago is a major character in William Shakespeare 's 1603 play Othello. His role is one of Othello 's outwardly loyal courtier and friend, who in fact hates him and schemes his downfall. He also manipulates his friends and master into doing his bidding, eventually persuading Othello to believe that his wife, Desdemona, has been having an affair ...
Roderigo. Roderigo is a fictional character in Shakespeare 's 1604 play Othello. Roderigo, a wealthy Venetian, is manipulated into funding the antagonist Iago 's machinations in the belief that Iago will aid him in courting Othello 's wife Desdemona. In the later stages of the play, Iago recruits Roderigo in hopes of assassinating Othello's ...
To be, or not to be. Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto and the First Folio. " To be, or not to be " is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare 's play Hamlet (Act 3, Scene 1).
Act 3.1–3.2 (465–503): mixed metres (tr8, tr7, ia8, tr8) (39 lines) Antipho enters, and in a soliloquy chides himself for leaving it to others to defend him. Geta appears and reassures him that his interests have been well looked after.
The play contains many of Ionesco's common themes, and the characters are typical of his plays. For example, the couple's interaction is similar in many ways to the interaction between the Old Man and the Old Woman in The Chairs; the conflicting background story of the corpse parallels the old couple's conflicting stories about their children.