Search results
Results From The WOW.Com Content Network
The award was first presented at the 1st British Academy Games Awards in 2004 to Grand Theft Auto: Vice City under the name Sound. Since then, it has gone through several name changes, going by Audio Achievement at the 2nd British Academy Games Awards , Audio at the 3rd British Academy Games Awards and Use of Audio from the 3rd to the 7th ...
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes is an annual award given by the Motion Picture Sound Editors.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Animated Long Form Broadcast Media is an annual award given by the Motion Picture Sound Editors.
Outstanding Achievement in Sound Editing – Computer Cinematic Outstanding Achievement in Sound Editing – Computer Interactive Game Play The Last of Us Part II – Shannon Potter (supervising sound editor), Patrick Ginn, Kyle Bailey, Michael Finley, Chad Bedell, Eric Paulsen, Keith Bilderbeck, Jim Diaz (sound effects editors), Dawn Fintor, Alicia Stevenson (Foley artists), Robert Krekel ...
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
This award is "presented to the individual or team whose work represents the highest level of achievement in creating a unified audio experience. The quality of the individual sound effects, voice over, music, technology, and other audio elements will be considered in addition to the overall audio mix of the title". [1]
Ren Klyce (supervising sound editor/sound designer/sound effects recordist); Shannon Mills (supervising sound editor); Daniel Laurie (supervising dialogue editor); Stephen M. Davis (supervising music editor); Jeremy Bowker, Malcolm Fife, David C. Hughes (sound effects editors); Thom Brennan (Foley editor); Alyson Dee Moore, John Roesch (Foley ...
It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not ...