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In critical theory, the posthuman is a speculative being that represents or seeks to re-conceive the human.It is the object of posthumanist criticism, which critically questions humanism, a branch of humanist philosophy which claims that human nature is a universal state from which the human being emerges; human nature is autonomous, rational, capable of free will, and unified in itself as the ...
A major theme of science fiction and of speculative biology is to convey a message of optimism or pessimism according to the author's worldview. [5] [6] Whereas optimistic visions of technological progress are common enough in hard science fiction, pessimistic views of the future of humanity are far more usual in fiction based on biology. [4]
Lyon Sprague de Camp (/ ˌ s p r eɪ ɡ d ə ˈ k æ m p /; [3] November 27, 1907 – November 6, 2000) was an American author of science fiction, fantasy and non-fiction literature. In a career spanning 60 years, he wrote over 100 books, both novels and works of non-fiction, including biographies of other fantasy authors.
Speculative evolution is a subgenre of science fiction and an artistic movement focused on hypothetical scenarios in the evolution of life, and a significant form of fictional biology. [1] It is also known as speculative biology [ 2 ] and it is referred to as speculative zoology [ 3 ] in regards to hypothetical animals . [ 1 ]
Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. [1] Biopunk is concerned with synthetic biology.
The Italian word manifesto, itself derived from the Latin manifestus, meaning "clear" or "conspicuous". Its first recorded use in English is from 1620, in Nathaniel Brent's translation of the Italian from Paolo Sarpi's History of the Council of Trent: "To this citation he made answer by a Manifesto" (p. 102). Similarly, "They were so farre ...
Lisa Yaszek states that in the early 1930s, the editor of Amazing Stories, scientist and science journalist T. O'Conor Sloane, wrote " 'mundane science fiction' before that term ever existed, and he banned faster-than-light travel from science fiction stories" in the magazine, so writers began using "dream narratives... as a way to travel through time and space and time."
For a text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. Lee Gutkind, founder of the magazine Creative Nonfiction, writes, "Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction."