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Shirleen Campbell (born 1981) is a Warlpiri, Anmatyerre, Luritja and Arrernte family and domestic violence activist from Mparntwe in the Northern Territory of Australia. [1] Campbell was born in 1981 and is a third-generation resident of Lhenpe Artnwe. [2] [3] She lost her mother, aunt, and a close friend to domestic violence. [4]
Shirleen is a female given name. It may refer to: It may refer to: Shirleen Campbell (born 1981), Indigenous Australian activist against family and domestic violence
Shirleen Campbell, activist against family and domestic violence [10] [11] Sally M. Nangala Mulda, artist, lives at Mpwetyerre (Abbotts) [12] [13] Albert Namatjira, artist, lived at Akngwertnarre (Morris Soak) [14] [15] Geoff Shaw, Aboriginal leader, lives at Mount Nancy [16] [17]
Shirley MacLaine (born Shirley MacLean Beaty; April 24, 1934) [1] is an American actress and author. With a career spanning over 70 years, she has received numerous accolades, including an Academy Award, an Emmy Award, two BAFTA Awards, six Golden Globe Awards, two Volpi Cups, and two Silver Bears.
Shirley Aley Campbell (March 26, 1925 – August 13, 2018) was a figurative realist painter, called "Cleveland’s own artistic blend of Alice Neel and Lucien Freud". [ 1 ] Two Red Tulips by Shirley Aley Campbell Vietnamese Family by Shirley Aley Campbell Portrait of Mary Rose Oakar by Shirley Aley Campbell
Shailene Diann Woodley (born November 15, 1991) [1] is an American actress. She first gained prominence for her starring role as Amy Juergens in the ABC Family teen drama series The Secret Life of the American Teenager (2008–2013).
Shirley Campbell may refer to: Shirley Aley Campbell , (1925–2018), American painter of the Contemporary Figurative Realism movement Shirley Campbell Barr , (born 1965), Afro-Costa Rican activist and poet
Michael Campbell notes that the Shirelles' success reflected the Civil Rights Movement. He indicates that works such as "Will You Love Me Tomorrow", written by a white couple, produced by an African-American man, with vocals by young African-American women and strings sounding like they were targeted at a white audience, conveyed a "color-blind ...