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The Incantation [1] (Spanish: El conjuro) is a painting by the Spanish artist Francisco Goya. It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme. The paintings do not form a single narrative and have no shared meaning, so each one is interpreted individually.
Don Juan and the Commendatore [1] (Spanish: Don Juan y la estatua del Comendador or El burlador de Sevilla) is a painting by the Spanish artist Francisco Goya.It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme.
Christ on the Cross, by Francisco de Zurbarán, 1627.Pilate's superscription is nailed to the cross above Jesus. Quod scripsi, scripsi (Latin for "What I have written, I have written") is a Latin phrase.
The Catholic Bible contains 73 books; the additional seven books are called the Apocrypha and are considered canonical by the Catholic Church, but not by other Christians. When citing the Latin Vulgate , chapter and verse are separated with a comma, for example "Ioannem 3,16"; in English Bibles chapter and verse are separated with a colon, for ...
Title page of the 1880 New York edition The seal from the Sixth Book of Moses, "The Sixth Mystery: The Seal of the Power-Angels seu Potestatum ex Thoro VI.Bi- bliis arcaiiorum, over the Angels and Spirits of all the Elements", from the 1880 New York edition Figure from Vol.II, Formulas of the Magical Kabala of the Sixth and Seventh Books of Moses, "The Spirit Appears in a Pillar of Fire By Night".
These scholars say that the Hebrew word kashaph (כשפ), used in Exodus 22:18 and 5 other places in the Tanakh comes from a root meaning "to whisper". Strong, therefore, concludes that the word means "to whisper a spell, i.e. to incant or practice magic". The Contemporary English Version translates Deuteronomy 18:11 as referring to "any kind ...
Goya uses the motif of transformation into animals as satire on human behavior, for instance, in engraving No. 67, Wait Till You've Been Anointed. [24] Manuela Mena also points out the compositional similarity with a 17th-century painting on a similar theme from the workshop of David Teniers the Younger .
Several theories have been put forth to interpret these psalms, justify their inclusion in the Bible, and apply them to life. These theories include the notion that the curses are allegorical, cathartic, belonging to a particular dispensation (time period), quotations of enemies, spells, prophecies, the words of the Messiah , or expressions of ...