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The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models. Most were for three to six voices.
Although of British temper, most English madrigals were a cappella compositions for three to six voices, which either copied or translated the musical styles of the original madrigals from Italy. [2] By the mid-16th century, Italian composers began merging the madrigal into the composition of the cantata and the dialogue ; and by the early 17th ...
A madrigal was the most common form of secular vocal music. “The poetic madrigal is a lyric consisting of one to four strophes of three lines followed by a two-line strophe." [8] The English Madrigals were a cappella, light in style, and generally began as either copies or direct translations of Italian models, with most being for four to six ...
In 1588 Nicholas Yonge published his Musica transalpina, the collection of Italian madrigals fitted with English texts, which touched off the explosive and colourful vogue for madrigal composition in England. Morley found his compositional direction at this time, and shortly afterwards began publishing his own collections of madrigals (11 in all).
John Bennet (c. 1575 – after 1614) was a composer of the English Madrigal School. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599.
Madrigal (Italian: madrigale) is the name of a form of poetry, the exact nature of which has never been decided in English. [1] Definition and Characteristics. The New English Dictionary defines a madrigal as "a short lyrical poem of amatory character", but this definition is broad and not entirely accurate. Madrigals can be long, and often ...
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It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.