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Schematic diagram of additive synthesis. The inputs to the oscillators are frequencies and amplitudes .. Harmonic additive synthesis is closely related to the concept of a Fourier series which is a way of expressing a periodic function as the sum of sinusoidal functions with frequencies equal to integer multiples of a common fundamental frequency.
The related OPN2 was used in Sega's Mega Drive (Genesis), Fujitsu's FM Towns Marty, and some of Sega's arcade boards (e.g. Sega System C-2 and Sega System 32) as one of its sound generator chips. FM synthesis was also used on a wide range of mobile phones in the 2000s to play ringtones and other sounds, using the Yamaha SMAF format.
For example, if a 530 Hz pure tone is presented to a subject's right ear, while a 520 Hz pure tone is presented to the subject's left ear, the listener will hear beating at a rate of 10 Hz, just as if the two tones were presented monaurally, but the beating will have an element of lateral motion as well.
Low tone, also busy tone, is defined as having frequency components of 480 and 620 Hz at a level of −24 dBm and a cadence of one half second ON and one half second OFF. Reorder tone, also often called fast busy tone, is the same tone, but with a cadence of 0.25 of a second ON and 0.25 of a second OFF. The original plan had two slightly ...
In EU countries and those following ETSI (European Telecommunication Standards Institute) recommendations, the cadence is the same as North America, i.e. 0.25 seconds on / 0.25 seconds off, but with a 425 Hz tone. The UK reorder tone uses a 400 Hz tone with a cadence of 0.4 seconds on, 0.35 seconds off, 0.225 seconds on, 0.525 seconds off.
This objective structure is augmented by psychoacoustic phenomena. For example, a perfect fifth, say 200 and 300 Hz (cycles per second), causes a listener to perceive a combination tone of 100 Hz (the difference between 300 Hz and 200 Hz); that is, an octave below the lower (actual sounding) note. This 100 Hz first-order combination tone then ...