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Koons was born in York, Pennsylvania, to Henry Koons and Nancy Loomis.His father [7] was a furniture dealer and interior decorator. His mother was a seamstress. [8] When he was nine years old, his father would place old master paintings that Koons copied and signed in the window of his shop in an attempt to attract visitors. [9]
File: Pablo Picasso, 1902, Woman with Bangs, 61.3 x 51.4 cm, The Baltimore Museum of Art, Maryland.jpg
31 in x 39 in (78.7 cm x 99.1 cm) Benson chose subjects that celebrated a civilized "ideal of grace, of dignity, of elegance", like the young woman in Red and Gold. Against a black and gold Japanese art screen, her white dress and bright red shawl gain our attention. [16] Nan: drypoint etching/print: 1915: Cleveland Museum of Art, Cleveland, OH;
Thus, we see on the contours the traces of a coat hanger, so as to present the painting in a rounded form. It is assumed that this painting was presented to the Salon public in the slightly rounded form. The artist is seen di sotto, involving a sunken viewer, suggesting that the painting may have been intended for an overdoor. [2]
Woman in a Green Hat shows a similar left lean, and verticals on her dress.. The work is oppressively flat and rectangular. While it lacks pictorial depth, it is highly symmetrical, showing a near full-face and centred body view, with a number of playful deviations, including the lean of her head and torso and the thick vertical line in the background, which is positioned slightly to the left. [8]
The painting is one of the works in which Krøyer tries to capture the light and mood on the Skagen shore during what he called "l'heure bleue" (the blue hour), the short period at dusk when the light casts a blue tint over the landscape. The Moon's reflection adds a slight feeling of depth to the otherwise flat background which consists mostly ...
Art historians have used Madame X to examine the conventions, particularly regarding sexuality and dress, of the time period during which it was exhibited. Concerning the black gown depicted in the portrait, dress historian Aileen Ribeiro writes that "The dress is so scandalous even an actress would have thought twice about wearing it for a ...
The setting is his studio at 1330 Chestnut Street in Philadelphia, where the couple and their dog Harry lived from 1884 to 1886. The painting depicts Susan Macdowell Eakins in a blue dress, seated in a chair in her living room, while reading a book. She takes a pause and looks at the viewer. At her side, the dog rests peacefully on the floor. [2]