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The bark of other plants such as houhi (Hoheria angustifolia) manatu (Plagianthus regius), autetaranga (Pimelea villosa) and houi (Hoheria glabrata or Hoheria lyallii) have been used in traditional textiles such as fishing nets. [12] The prepared fibre of the New Zealand flax (Phormium tenax) became the basis of most clothing. The flax leaves ...
Awhina Tamarapa and Patricia Wallace, 'Māori clothing and adornment – kākahu Māori', Te Ara - the Encyclopedia of New Zealand, (accessed 29 April 2020) Wallace P. (2006) Traditional Maori dress: recovery of a seventeenth century style. Pacific Arts: the Journal of the Pacific Arts Association 1: 54–64.
The traditional costume of Hawaiian hula kahiko includes kapa cloth skirts and men in malo . However, during the 1880s hula ‘auana was developed from western influences. It is during this period that the grass skirt began to be seen everywhere although hula ‘auana costumes usually included more western looking clothing with fabric-topped ...
Māori cultural history intertwines inextricably with the culture of Polynesia as a whole. The New Zealand archipelago forms the southwestern corner of the Polynesian Triangle, a major part of the Pacific Ocean with three island groups at its corners: the Hawaiian Islands, Rapa Nui (Easter Island), and New Zealand (Aotearoa in te reo Māori). [10]
Kete are traditional baskets made and used by New Zealand's Māori people. [1] They are traditionally woven from the leaves of New Zealand flax called harakeke and have two handles at the top. [2] Other materials are sometimes used, including sedge grass or the leaves of the nikau palm and cabbage tree. [1] [3] Modern designs may also use dyed ...
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Māori concepts of design involve an active relationship between traditional and contemporary practices. Pre-European Māori had no written language so tribal history and beliefs were kept in the form of objects ranging from woven baskets to complex carvings in wood, bone, shell and greenstone.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.